Credit: Jean-Baptiste Millot

Enrique Mazzola

Music Director: Lyric Opera of Chicago
Erster Ständiger Gastdirigent: Deutsche Oper Berlin
Conductor in Residence: Bregenzer Festspiele

Representation: General Management

Italian conductor Enrique Mazzola is Music Director at the Lyric Opera of Chicago and Principal Guest Conductor at Deutsche Oper Berlin. In 2022 he was appointed the first ‘Conductor in Residence’ at the Bregenzer Festspiele, having made his debut there in 2016.

Renowned as an expert interpreter and champion of bel canto opera, he is a specialist in French repertoire and early Verdi. Mazzola was Artistic & Music Director of the Orchestre National d’Île de France from 2012-19 and in 2018 was named a Chevalier de l’ordre des Arts et des Lettres in recognition of his significant contribution to musical life in France.

Plans for his 2023/24 season with Lyric Opera of Chicago include productions of Der fliegende Holländer, the Chicago premiere of Terence Blanchard’s Champion, Verdi’s Aida and Mozart’s Requiem in concert. Enrique will also conduct symphonic projects with Bern Symphoniker and returns to the Deutsche Oper for Anna Bolena, to Amsterdam for Roberto Devereux and to Bregenz for Der Freischütz.

Recent seasons include notable debuts with Salzburg Festspiele (Orphée aux Enfers), Wiener Staatsoper (Don Pasquale), Dutch National Opera (Anna Bolena, and the Donizetti “Queens Trilogy” in concert), Orchestre National du Capitole de Toulouse, Philharmonia Orchestra, Royal Scottish National Orchestra, Orchestra of the Age of Enlightenment, Oslo Philharmonic, New Japan Philharmonic, Taipei Symphony, Utah Symphony, Detroit Symphony, Luxembourg Philharmonic, Brussels Philharmonic, Staatsphilharmonie Nürnberg and Swedish Radio Symphony Orchestra. Return engagements have included Metropolitan Opera (La fille du régiment), Opernhaus Zürich (Turco in Italia, Anna Bolena, Maria Stuarda, Il barbiere di Siviglia, I puritani), Bregenzer Festspiele (Madama Butterfly, Rigoletto & Mosè in Egitto), Scottish Chamber Orchestra, Wiener Symphoniker, Orchestre Symphonique de Quebec, Sao Paulo State Symphony, and Glyndebourne Festival Opera (Luisa Miller, Il barbiere di Siviglia).

Opera has also included the Rossini Opera Festival (La gazzetta), Théâtre des Champs-Elysées (Tancredi, Don Pasquale, La scala di seta, L’occasione fa il ladro, Il signor Bruschino), Deutsche Oper Berlin (Le prophète, Dinorah in concert, Il barbiere di Siviglia, Dietsch’s Le Vaisseau fantome, Falstaff, Vasco da Gama, Les contes d’Hoffmann) and at the Bolshoi Theatre (La sonnambula). Glyndebourne Festival Opera has included Don Pasquale, Poliuto, L’elisir d’amore and Il barbiere di Siviglia. Opera credits also include Teatro del Maggio Musicale Fiorentino (L’italiana in Algeri), New National Theatre Tokyo (Don Giovanni), Opera National du Rhin (Macbeth, La Cenerentola) and Teatro alla Scala (Don Pasquale). He has regularly devoted time to working with young musicians, among them Accademia Teatro alla Scala, Académie de l’Opéra national de Paris, Opéra Studio de l’Opéra national du Rhin, Accademia del Maggio Musicale Fiorentino, Ryan Opera Center, Codarts of Rotterdam and has given conducting masterclasses for the students of the Conservatoire National Supérieur de Musique de Paris and Conservatoire National Supérieur de Musique et de Danse de Lyon.

European festivals have included Falstaff (Aix-en-Provence), Festival de Radio France et Montpellier, Enescu Festival and Haydn Festival with ONDIF, Bregenzer Festspiele, Salzburg Festspiele, BBC Proms in 2016 with the Glyndebourne new production of Il barbiere di Siviglia, München Opernfestspiele, Rossini Opera Festival, Biennale of Venice, Wexford Opera Festival, Festival de Granada and Les Chorégies d’Orange. Between 1999 and 2003 he was the Artistic and Music Director of the Cantiere Internazionale d’Arte in Montepulciano, where he conducted many symphonic concerts and new operatic productions with the Royal Northern College of Music Symphony Orchestra.

An accomplished interpreter of contemporary music, he commissioned and premiered several works with ONDIF and led many other premieres with major European orchestras. Opera credits also include the world premiere of Colla’s Il processo (La Scala); Il re nudo by Luca Lombardi (Teatro dell’Opera di Roma), Medusa by Arnaldo de Felice (Bayerische Staatsoper) and Isabella by Azio Corghi (Rossini Opera Festival).

Promoters please note: if you wish to include this biography in a concert programme etc, please contact James Brown Management to make sure you receive the most up to date version.  Email: Ben Horden



A Tudor Trilogy: Enrique Mazzola conducts ‘Roberto Devereux’ in Amsterdam

April 18th, 2024

This evening, Maestro Mazzola conducts the opening night of Donizetti’s Roberto Devereux at the Nationale Opera Amsterdam with performances running until 6th May. Having previously conducted Anna Bolena and Maria Stuarda in Amsterdam, Mazzola returns to complete the Tudor trilogy with Roberto Devereux. Mazzola is joined in the pit by the Netherlands Chamber Orchestra andRead more ›

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Mazzola extends his contract as MD of Lyric Opera of Chicago to 2031

March 12th, 2024

Italian conductor Enrique Mazzola renews his partnership with the Lyric Opera of Chicago into the next decade, it was announced today. Since becoming Music Director in September 2021, Mazzola has led the company in numerous critically acclaimed productions, including Sir David McVicar’s new production of Verdi’s Macbeth: “Mazzola was firmly in command” (Musical America). OtherRead more ›

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Enrique Mazzola: AIDA – Opera at its grandest!

March 8th, 2024

Tomorrow, Enrique Mazzola conducts the opening night of Francesca Zambello’s striking production of Verdi’s Aida at the Lyric Opera of Chicago. Aida, one of Verdi’s most glorious scores brings us the grandest of triumphal marches, contrasted with scenes of riveting intimacy for the principal characters. Michelle Bradley and Russell Thomas are the two main protagonistsRead more ›

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Enrique Mazzola conducts “Champion” in Chicago

January 26th, 2024

Lyric Opera of Chicago’s music director Enrique Mazzola conducts the Chicago premiere of “Champion”.  Six-time Grammy Award winning composer Terence Blanchard’s first opera (libretto by Michael Cristofer), premiered in St Louis in 2013 and tells the true story of welterweight boxer Emile Griffith.  This “opera in jazz” features a superb cast including Reginald Smith, Jr.Read more ›

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Enrique Mazzola’s Donizetti in Berlin

December 15th, 2023

Tonight Italian Maestro Enrique Mazzola conducts the opening night of Donizetti’s Anna Bolena at Deutsche Oper Berlin, where he is Principal Guest Conductor. With a star cast featuring the likes of Federica Lombardi, this much-anticipated David Alden production runs until 26 December. This concludes a wonderful year for Enrique who has conducted critically-acclaimed new productions in Amsterdam,Read more ›

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Don Carlos in Autumn 2022

“It was exquisitely brought to life by Lyric’s first-rate pit orchestra, with Music Director Enrique Mazzola, in one of the best outings of his tenure so far, supporting, propelling and enhancing everything happening on stage and never letting the energy or the audience’s attention flag.”

Kyle MacMillan, Chicago Sun-Times

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Offenbach: Orphée aux Enfers (Salzburg Festival 2019)
Vienna Philharmonic
Director: Barrie Kosky
NAXOS (2020)

Michael Fabiano: Verdi, Donizetti
London Philharmonic Orchestra
London Voices

Beethoven Symphony No. 5, Piano Concerto No.1
Orchestre National d’lle-de-France
Cédric Tiberghien

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Associate Artist Manager

Ben Horden
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