“Chochieva, though, is the real discovery; …performances of huge emotional scope and intense drama.”
Andrew Clements, The Guardian
Representation: General Management
Having first gained international attention with her highly-praised recordings of works by Chopin and Rachmaninov, Zlata Chochieva has already established herself as a distinctive voice amongst pianists, possessing a deep affinity for these composers in particular. Hailed by Gramophone as “the possessor of a comprehensive technique who brings an inner glow to every bar”, Zlata Chochieva has performed solo recitals in major venues such as the Herkulessaal in Munich, Concertgebouw Amsterdam, Wigmore Hall London, Konzerthaus Berlin, Teatro La Fenice in Venice, and Tchaikovsky Concert Hall in Moscow. Conductors she has collaborated with include Mikhail Pletnev, Vladimir Spivakov, Simon Gaudenz, Alexander Rudin and Charles Olivieri-Monroe. To date she has released three discs on the Piano Classics label including the complete Chopin Etudes, Rachmaninov’s Etudes-Tableaux as well as his 1st piano sonata and Chopin Variations.
Zlata Chochieva first came to international attention with her highly-praised recordings of works by Chopin and Rachmaninov. Displaying a deep affinity with these composers, combined with probing honesty and imagination, they have established her as a distinctive voice amongst pianists. Hailed by Gramophone as “the possessor of a comprehensive technique who brings an inner glow to every bar”, Zlata Chochieva has been regularly appearing at many prestigious concert halls, most notably at Herkulessaal Munich, Concertgebouw Amsterdam, Philharmonie de Paris, Teatro La Fenice in Venice, Konzerthaus Berlin, Victoria Hall in Geneva, Tivoli Concert Hall in Copenhagen, Casa da Música Porto, the Grand Hall of the Moscow Conservatory and Grand Hall of Saint Petersburg Philharmonia.
She has performed with numerous major orchestras, including the Russian National Orchestra, the BBC Scottish Symphony Orchestra, the Copenhagen Philharmonic, the Slovak Radio Symphony, the Munich Chamber Orchestra, and the Aarhus Symphony Orchestra. Conductors Zlata has enjoyed working with include Mikhail Pletnev, Karl-Heinz Steffens, Simon Gaudenz, Terje Mikkelsen, Charles Olivieri-Munroe, Tugan Sokhiev and Vladimir Spivakov.
Highlights of the previous seasons include her Wigmore Hall debut, as well as performances in Russia with the Svetlanov State Orchestra and the National Philharmonic. Furthermore, she was guest artist in the Serate Musicali series in Milan, at the Berliner Klavierfestival and at Zaubersee Festival Lucerne.
In the 2019/20 season Zlata appeared as “Artist in Focus” in three different programmes with the Aachen Symphony Orchestra as well as making her debut with the BBC Scottish Symphony Orchestra. Solo debuts included the Vienna Konzerthaus, Vancouver Chopin Society, as well as at the Brussels Chopin Days. She also performed a solo recital at the Schinkel Pavillon in Berlin and participated in the online “Moments Musicaux” of the Berliner Klavierfestival, digitally streamed from the Konzerthaus Berlin.
Over the years Zlata has acquired many international competition prizes, including Szymanovsky International Competition (Poland), Tivoli Piano Competition (Denmark), Mozart Prize at ARD Competition (Germany), First prizes at Frechilla-Zuloaga Competition (Spain) and Alberto Fano Piano Competition (Italy) and Silver Medal at the First International Piano Competition of Santa Catarina (Brazil), where she was also declared Best Performer of Chopin and Audience Favourite. She has been regularly invited to leading music festivals, including the Miami International Piano Festival, the Gilmore Keyboard Festival (as a Gilmore Rising Star in the 2017-18 season), the «Rarities of Piano Music» in Husum, the Lugano festival «Il Progetto Martha Argerich» and the Lucerne Festival.
Her Chopin Complete Etudes disc for Piano Classics was selected as an Editor’s Choice in Gramophone, and included in Gramophone’s list of 10 greatest Chopin recordings: “It is certainly one of the most consistently inspired, masterfully executed and beautiful-sounding versions I can recall.” (Jeremy Nicholas, Gramophone). Her 2015 CD of the Complete Etudes-Tableaux of Rachmaninov has likewise earned critical raves and been nominated for the German Record Critics’ Award.
Zlata was born in Moscow and is now a resident of Berlin. Her teachers have included Mikhail Pletnev at the Central Special Music School and Pavel Nersessian at the Moscow State Conservatory. Subsequently, Chochieva completed two years of postgraduate studies under Professor Jacques Rouvier at the Mozarteum University of Salzburg where she was his assistant for several years.
Zlata established the International Festival at Rachmaninov’s estate in Ivanovka and has been Director since 2018.
Promoters please note: if you wish to include this biography in a concert programme etc, please contact James Brown Management to ensure that you receive the most up to date version. Email: Imogen Morris
We are very pleased to announce that Zlata Chochieva’s new disc ‘(re)creations’ will be released worldwide on 12 February 2021 by Accentus. She presents piano transcriptions by three great pianists and composers, Rachmaninoff, Liszt, and Friedman, that lend new life to works by J. S. Bach, Mendelssohn, Schubert, Mahler and many more. Here is a…Read more ›
Chopin and Rachmaninoff recital (Vancouver Playhouse, Vancouver)
It’s interesting to watch how she selects colours and techniques to probe the specifics of what she is playing; there is nothing remotely uniform about what she employs. Nonetheless, her decisions seem natural and convincing, sufficiently so that one forgets her technique and just thinks about the music.
I can think of few finer piano recitals than this. Chochieva never attempts to endow the music with extra drama or interpretation: she just reveals her personal struggle to expose the music as it is. Her probing honesty and imagination place the listener in a multi-layered emotional world which is both evolving and immediate, and one simply feels impelled to follow her.